Anthem, by Alexis Orgera. Charles Seluzicki, Portland, 2015. Hand-sewn chapbook. Cover design and internal typesetting.

Someone Else’s Wedding Vows, by Bianca Stone. Tin House Books/Octopus Books, Portland, 2014. Trade paper. Internal typesetting.

Bad Blood 13, Portland, 2012. Hand-sewn handbill. Stamped cover.

Bad Blood 17, Portland, 2013. Hand-sewn handbill.

Bad Blood 18, Portland, 2013. Hand-sewn handbill.

Bad Blood 23, Portland, 2014. Handbill.

Bad Blood 26, Portland, 2015. Hand-sewn handbill.

Bad Blood 27, Portland, 2015. Handbill.

Cars Crash Here, ed. Katherine Factor (Idyllwild Arts), Idyllwild, CA, 2014. Trade paper. Cover design and internal typesetting.

Wherewithal, by Adam DeGraff. Subpress, New York, 2016. Trade paper. Cover design and internal typesetting. Original cover art by Marina Eckler.

The Father of the Arrow is the Thought, by Christopher DeWeese. Octopus Books, Portland, 2015. Trade paper. Cover design and internal typesetting.

Sorrow Arrow, by Emily Kendal Frey. Octopus Books, Portland, 2014. Trade paper. Cover design and internal typesetting. Cover illustration by Treasure Frey.

Sexual Boat (Sex Boats), by James Gendron. Octopus Books, Portland, 2013. Trade paper. Cover design and internal typesetting. Cover illustration by Molly Curtin.

Everyone Here, by Cecily Iddings. Octopus Books, Portland, 2014. Trade paper. Cover design and internal typesetting.

Domestication Handbook, by Kristen Stone. Rogue Factorial, Tokyo, 2012. Trade paper. Cover design and internal typesetting. Original cover photography by Kristen Stone.

A Voluptuous Dream During an Eclipse, by Elaine Kahn. Poor Claudia, Portland, 2012. Hand-sewn chapbook. Cover design and typesetting (with Rick Delucco). Letterpressed by Fortress Letterpress.

Kings, by Matthew Dickman, Michael Dickman, and Mark Strand. Poor Claudia, Portland, 2012. Four double-sided broadsides, housed in screen-printed fold-out cover. Design with Rick Delucco. Lettepressed by Fortress Letterpress.

My Dead, by Amy Lawless. Octopus Books, Portland, 2013. Trade paper. Internal typesetting.

Via Dissimulata, by Marisol Limon Martinez. Octopus Books, Portland, 2015. Trade paper. Cover design and internal typesetting. Cover art by Marisol Limon Martinez.

Poor Claudia #1, Portland, 2009. Trade paper with hand-made slipcase, screenprinted. Design with Rick Delucco and Marshall Walker Lee.

Stedt Literary Journal, Issue 1, Summer 2015. Hand-sewn. Internal typesetting. Letterpressed by Alan Brandsted.

Picasso’s Tears, Poems 1978-2013, by Wong May. Octopus Books, Portland, 2014. Hardback. Cover design and typesetting.

Pom Poko Poko, ed. James Gendron (Literary Arts / Writers in the Schools), Portland, 2013. Hand-sewn chapbook. Cover design and internal typesetting.

book of southern and water, by Emmalea Russo. Poor Claudia, Portland, 2013. Trade paper. Cover design and internal typesetting.

mu (Dream) so (Window), by Marcus Slease. Poor Claudia, Portland, 2012. Hand-sewn chapbook. Cover design and internal typesetting. Letterpressed by Fortress Letterpress.

Bart V Univers, by Joel Statz. Poor Claudia, Portland, 2013. Trade paper. Cover design and internal typesetting. Cover illustration by Joel Statz (with Rick Delucco).

Stedt Literary Journal, Issue 1, Summer 2015. Hand-sewn. Internal typesetting. Letterpressed by Alan Brandsted.

“Teaching Simone Weil to Eat a Pineapple,” by Wong May. Octopus Books, Portland, 2015. Broadside. Letterpressed by Waterknot.

Dear Jenny, We Are All Find, by Jenny Zhang. Octopus Books, Portland, 2012. Trade paper. Internal typesetting.